GOOD WEATHER

Nodding to Martin Parr’s Bad Weather, Good Weather is a microclimate. Sunshine is its only predictable character. Set in Venice, California, these photographs focus on the surprise and logic between each witnessed moment: spontaneous, strange and sincere.

A news headline entitles each image as a formal way to consider the mundane and cataclysmic as simultaneous and ambivalent. Good Weather communicates this friction—and sometimes the sensation of “breaking.” It demonstrates tension between global and local life, and an awareness of home and displacement. The subjects are connected to the headlines but do not necessarily illustrate them.